Category Archives: music

Mid-Week Music: ‘Sir Duke’ Will Get Any Kid Shakin’

How did I not play Stevie Wonder for Anjali before?  Is that possible?  I really don’t think I had up until a few days ago.

I thought for sure that she would immediately freak out over Sir Duke.  In fact, she passed.  I went to the next song on my playlist, I Wish.  Yep, that did it.  Whodoesn’t want to move to that song?

After that we listened to As.  But she wanted to go back (she is SUPER-into listening to the same songs over an over again…and I don’t blame her because that’s how you really get inside a song or a book or a film).

I accidentally skipped back to the beginning, Sir Duke, and from there she was hooked on that song.  Dancing.  Singing.  Laughing.  It even worked for me to sing it to her a night or two later when she was having trouble sleeping.

And by the way, she says “Yeah, yeah” in the right place, if you know where I mean.

Check out this stellar live-in-the-studio performance by Stevie:

…And here is a SUPER-COOL rendition by my friend Caleb Hawley, who I played with recently.  He’s a really talented songwriter and guitarist with a fantastic voice…And a really nice guy.

Facing A Creative Road Block

Sacrifice and change are two words that are synonymous with parenting.  I strongly believe in order to parent well–in order to really be present for your kids–you have to become a different person than you once were, and you have to sacrifice.

I don’t mean you need to be different at the core, or that you need to deny yourself of who you really are.  I mean that your time gets unevenly divided, weighing much heavier on time with your children, than personal time.  That is, if you want to be a direct part of your child’s life, then you must minimize the amount of time you defer to family, friends, nannies, day care or baby sitters.

So what I am grappling with lately is how loving and being with Anjali affects my creativity.

On the one hand, Anjali is a direct result of my creativity.  She is the being that Madhavi and I lovingly created and continue to shape daily, as well she recreates us and continues to shape us!

The flip side and reality is that my musical creativity is suffering.  When Anjali is napping, or anytime I have free time, I turn to my creative space and find that my musical libido is a bit tired.  Let’s face it, all of me is tired.  Being a parent is exhausting!

I am not completely dried up.  I am performing regularly.  I just haven’t written a new song in a long time.  Perhaps I’m just out of practice, or maybe it’s because my relationship with the world is so different now that I don’t know how to express myself through song like I used to.

All I know is that Dave, my bandmate and friend, once called me a musical gremlin.  Remember the movie Gremlins?  Pour some water on them and a dozen more gremlins are spontaneously created.  Well, Dave would say that great songs popped off of me just like gremlins.  I can tell you that Anjali spilled water on me at least a few times just today, and I still have no new songs.

Admittedly, the “free” time that I have been afforded in the last nine months has been put toward creating other income via a new business.  Certainly, that has devoured my energy.  I mean, it’s hard to feel inspired to write a song after spending a few hours building a website, creating a digital product or generally doing everything I can to get a business off the ground.

I guess I shouldn’t be so hard on myself.  After all, they’re just songs.  On the other hand, the songs that I have written over the years feel like extensions of myself.  I breathed life into them because I truly felt something.  So that makes me think: ‘My god, WHY DON’T I FEEL SOMETHING?!’  I feel lots of things throughout my day.  Isn’t something going to inspire me to plunk something out on the piano or guitar, sing a melody and put some lyrics to it?

I turn back to a book called The War of Art: Break Through the Blocks and Win Your Inner Creative Battles.

In this book, Steven Pressfield, author of The Legend Of Bagger Vance, talks about doing the work you are meant to do.  He urges you to treat your art like work.  You have to go to work everyday and just do it.  One day you may eek out a bunch of crap, and another you may tap into the muse and genius flows.

Either way, you do your work and that is how your overall body of work or art is created, not by sitting on your ass waiting for inspiration to strike.

I know this to be true.  I remember a great time in my life when I was writing every day.  Granted, I was not a parent and I was single.  I had this Mitsubishi Eclipse I bought from a friend for $250.  It had no radio, no CD player and no tape player.  I didn’t crowd my mind listening to music or “news.”  Instead, I wrote music.

I had a tape recorder  (this is just before digital recorders were a mainstay).  I would sing melodies and lyrics into that thing, sometimes developing whole songs on a long car ride.  Other times I would take the ideas home and finish the songs at a keyboard, or record them on an 8 track recorder (this is also before I had my computer studio set up).  I still have those tapes.  Every once in a while I will find one and listen to it, half embarrassed by how rough the ideas were, and half amazed at how inspired I obviously was.

I don’t think I need to get rid of my I-Pod or car stereo.  I don’t think Madhavi would appreciate it either, since we share a car.  Anjali would definitely hate that, as she loves to listen to songs over and over again in the car.  I do think, however, that it’s time to get back to work.  It’s time to stop blogging now, and hum, sing, tap, play piano…Whatever it takes to buzz myself back into writing rather than just playing music.

I may end up writing about going on the swings or excitedly seeing airplanes in the sky.  At least I’ll be writing.  I think if I allow myself to start there, I will eventually tap into my muse.

Anjali’s Musical Tastes

At a little over a year and a half old, Anjali is expressing herself verbally more and more.  In the last two months she has had a language explosion.  It’s been really amazing and quite cute, since she says “sentences” like “Papa Fuzzy bath” (when we gave our cat a bath), or “Oh car, CD, beach,” because she’s excited to go in the car and listen to “Let Me Take You To The Beach,” by Frank Zappa.

That leads me to the point of this post.

Anjali’s musical tastes are ever-expanding and changing.  What I love (and sometimes hate) is that she latches onto a song and wants to hear it over and over again.  She gets such enjoyment from it, and it kind of reminds me of me (and Madhavi).  We like to really listen to something we like and suck everything out of it that we can.  I do this with books and movies as well.  The more I watch, read or listen, the more nuances I get out of it.  I like to think Anjali is doing this too.  She is exploding with language these days, so I imagine she is learning new words excitedly.

So what does she like to listen to over and over again?

  • Chege Meu Povo – Nacao Estrella Brillante: She loves to dance to this.  She bubbles over with joy and excitement when she hears it, and immediately starts dancing.  For a few weeks there when she said, “Dance,” I knew she meant put this song on over and over.
  • Let Me Take You To The Beach – Frank Zappa: We have been listening to this one since the very early days with Anjali.  But it has resurfaced with a force.  This has become the recent “car” song, as I mentioned at the beginning of this post.  We just hit the repeat button and she is happy.
  • Simple – Jeremy Dyen: What can I say?  My daughter has good taste!  For a while she wanted to hear the first song off of my Battery CD, called “Not More Than She.”  Then she latched onto “Simple,” which she now asks for by name.  This sort of alternates with “Beach” in the car.  I think she loves these two songs of mine because I played them on guitar for her a lot while I was rehearsing for my CD release party last April.


Ice Cream – Asheba: This is from the Putamayo Picnic Playground.  She laughs when this comes on and it’s the cutest.  Other favorites from this awesome CD (our new favorite!) are “Mes Parents Sont Bio” by Pascal Parisot and “Pomadoro” by Bomba.

    Espresso 2222: Gilberto Gil: All three of us love this one in the last few days.  I knew this song because I play it in Alo Brasil, my Brazilian band.  This version is so perfect, and it’s from another Putamayo compilation called Brazilian Playground.
Other music she really enjoys is:
  • Music from Capoeira Angola (Brazilian martial art).
  • Itsy Bitsy Spider, which she says, “Itsy Sabah!”
  • “Hey Ya,” by Outcast.  She loves to watch the video on You Tube.
  • Old MacDonald Had A Farm.
  • “Alphabet Lost And Found,” by They Might Be Giants.
  • “There’s A Party In My Tummy,” from Yo Gabba Gabba.

Music For Toddlers: A Few CDs Break Free Of The Lameness

Thus far, I have found very few children’s music that I like.  Often, I default to playing “regular” music for Anjali.  We have a pretty eclectic collection of stuff.

I don’t necessarily think it’s a matter of what Anjali likes, although she definitely responds more to certain music.  Mainly, I think she enjoys music that motivates her to shake her body to.  This is probably the case with most kids.  I think what I’m searching for is music that we all like.

There seem to be so many lame children’s albums out there.  Either the sounds they use are cheesy, the music is just blah, or the approach is overly simplistic.

They Might Be Giants


There are currently three children’s CDs we all agree on in our house.  One is They Might Be Giants: Here Come The 123s. Anjali absolutely loves some of these songs.  The songs are clever, catchy and funny.  The music and production is fantastic (no wonder this CD/DVD) won a Grammy.  These are songs that any adult can appreciate and sing along to as well.  And there is an entire DVD with fantastic videos as well.  These are pretty much the only videos Anjali watches at this point, besides a great Spanish video (more on that later).

They Might Be Giants also has Here Come the ABCs and Here Comes Science, also great CDs.  Our favorite is the 123s though.

Putamayo


The other two CDs we listen listen to a ton are part of the Putamayo series.   ANIMAL PLAYGROUND has really playful and clever songs about animals from around the world.  At least, I know the ones in english are playful and clever.  From the bits I can understand of the other languages (Portuguese, Spanish, Italian and more), those songs are playful and clever too!).  Anjali loves to dance to some of these songs.  Here current favorite is Cantiga do Sapo, a North Brazilian forro about a little singing frog.  Like the 123s, this CD does not come off solely as “music for kids,” but simply great music for anyone.

The other Putamayo CD we have is FRENCH PLAYGROUND.
I’ll be honest.  My french is not so good.  But even more reason to say that the music on this CD is fantastic.  We simply don’t get bored of it.  We sing along.  We dance.  We love it.  Like the Animal Playground CD, French Playground highlights various artists.  In this case, they’re from France, Haiti, Canada and more.  The CD includes all of the lyrics and translations too.

From experience, I think it might be wise for us to check out more of the Putamayo kids series.  Putamayo generally does not disappoint.

One thing I’m fairly certain of: making children’s music is deceptively hard.  Maybe someday I’ll take a crack at it.

I’d love to hear what other people are liking for and with their kids.  Simply comment below.

Mid-Week Music: Avante Anjali

On Monday I set up my keyboard and other music stuff to do some practicing for my CD Release show.  Anjali woke from her nap, and we decided to sidestep my practicing, so we could record our first avante garde album.  We recorded about 15 very short pieces in all, of which I chose 9 to put together into one 5 to 6 minute piece.

I call it Avante Anjali.  We recorded live with my keyboard, our voices, some percussion, one microphone and my loop pedal.

Click play on the little red player below.

Mid-Week Music: The Gummy Bear Phenomenon



Have you seen this Gummy Bear song/video on YouTube?  This thing has millions upon millions of views.  The gummy bear (the candy, that is) originated in Germany, as does the Gummy Bear song.  The song was written by German composer Christian Schneider and released by Gummybear International. The song has since been released in at least twenty five languages and has spread worldwide.

I don’t think I wanted to like this song.  It’s pretty ridiculous.  But it’s completely infectious.  I find myself singing it often.  But forget me.  Anjali loves it and is mesmerized by it.

Check Out The Gummy Bear CD...

And the Gummy Bear DVD

We very rarely show her videos or TV.  Perhaps that’s even more reason for her to be attracted to it.  But she smiles, dances, points to the screen and talks to it.

Here is the video:

…Why do we get to see the bear’s butt crack?

We eventually had to download the song to add to Anjali’s birthday playlist on our IPod. In fact, there is a whole Gummy Bear Album called I Am Your Gummy Bear, as well as a Gummy Bear DVD called Gummibär: I Am Gummy Bear which came out in 2009.

Check Out The Gummy Bear CD...

And the Gummy Bear DVD

Mid-Week Music: My Gift To You

Over the holidays I released a bonus track to my new CD, Battery.  The song is called “My Gift To You,” and was written some years ago by one of my great friends, Pete Keenan.  I was inspired by the holiday season to add a bridge, change the flavor to fit the sound of Battery and re-record it.  In this case, Anjali did not attend the session.  She was either sleeping soundly downstairs, or with Madhavi.

Just hit the play button to hear it…

Why Papa Didn’t Go On Tour With Ms. Lauryn Hill…Again

At first it all really seemed like bad timing. 14 months ago, I found out about this audition for Lauryn Hill. I did it and got the gig. Unfortunately, the gig was in Australia and New Zealand. Yes, you’re probably thinking I’m nuts for saying that is unfortunate. But the tour was about 2 weeks before Anjali was “due” to be born. That’s the unfortunate part. Well, that, and the fact that they were offering me lame pay for the amount of time I would be away, rehearse and do pre-production for her so called next CD.

Recently, I was asked to do a 5 week tour (2 weeks were local gigs in NYC and 3 were all over the states). Madhavi and I considered it, and we were able to work out some details, such that Madhavi could take minimal days off, spend time with her sister and nieces in North Carolina, and I would be away for 3 weeks.

It was all a bit of a scramble, because I was to do a gig the night after I confirmed I was doing the tour. They sent me music, which I got at midnight, and stayed up until 4 listening to and learning. After a night of no sleep, I drove to NYC for the 1 pm soundcheck/rehearsal and show, only to find out the gig is canceled and we were to rehearse in north Jersey. I waited at her house in N. Jersey for about 4 hours before we started rehearsing. It was then I found out that the CD of music I was given to learn was old and the arrangements were not current. What a waste of time (and sleep!).

Rehearsal was pretty unorganized, although all of the musicians nice, and great players. Also, her band was a redundant monstrosity, with 3 keyboard players and 3 guitarists. Ms. Hill (as she expects to be called) showed up around 9pm, and proceeded to disassemble one small section of one song for about an hour, by telling everyone to change what they were playing. Keep in mind, I and one of the guitar players were completely new to this band, and the next show was the next night. I thought the whole thing was ridiculous, and yet another waste of time. But it gave me a window into why everything surrounding Ms. Hill is so disorganized: she is in the driver seat.

At 10 o’clock Ms. Hill decided it was best that the band get up to speed on the material, rather than her rearranging everything. By 10:45 I was totally tweaked. I had gotten maybe 3 hours of sleep, spent 3 hours driving in the snow to NYC and N. Jersey, and was spent from trying to cram on all of this new material. The general chaos of everything surrounding the band, tour and Ms. Hill wasn’t helping either.

All through the evening I was questioning whether this was worth it. Did I really want to abandon my family, for relatively meager pay, for 3 weeks? Did I want to basically be on call for whenever Ms. Hill decided to rehearse (the band members told me they sometimes rehearse until 4 or 5 am, and one time on tour, Ms. Hill called a rehearsal at 1 am!). Sure, many people would think, “This is Lauryn Hill, a great singer, a multi-grammy winner, and on and on…” I even thought that this is something I wanted to do–to experience that type of tour, to have that kind of credit on my resume and even to enjoy being on the road, being a full-time musician.

But what the Ms. Hill camp displayed was at the least disorganized, and more likely rather schizophrenic.

So, at about 10:45pm, I stood up, started unplugging my keyboard and said, “I can’t do this.” The bass player said he wasn’t surprised. One of the guitarists said, “You are doing the right thing.” I thanked Ms. Hill for the opportunity (though I wanted to tell her that this whole operation was freakin’ nuts, that she was treating her musicians like crap–expecting so much of them for what probably equates to less than minimum wage computed hourly!) and drove home to my family.

It was good timing, because Anjali awoke at 4 am vomiting with a stomach bug, and Madhavi got sick a day or so later.

A few days after the decision to bail on the tour, I had some regret. But I know I absolutely made the right decision. At the time I left that rehearsal, something was just telling me to run. I’m glad I trusted my intuition.

I am so grateful to Madhavi for supporting me to go in the first place, as it would have been hard on her for me to be away for such a long time. It would have been really hard to be away from my family. Madhavi was helpful in helping me shake any guilt about potentially going on the tour, and regrets about turning it down.

That’s my Ms. Hill story. I figure the right opportunity will find me if I want it, and at the right time.

Mid-Week Music: Check Out The Hang

I recently played a solo show and opened for 2 fantastic and inspiring Hang players.  One is my friend Dante Bucci.  The other is Manu Delago.  The Hang is a cool, hybrid instrument that seems to be an inside-out steel pan.  I have been lucky enough to play, perform and record on the Hang too.

Manu Delago:  This guy is doing innovative and beautiful things in music. He plays with a fantastic bass clarinetist, Christoph Pepe Auer.  They have a great sense of arrangement and composition.  Check out this video of them playing that famous music from Tetris:

Dante does has a really nice way of creating beautiful melodies and trancey grooves.  He’s also the top You Tube search for the instrument.  Check out this video:

Mid Week Music: Can’t Run But

While Anjali was sleeping a couple of weeks ago, I was able to record and shoot video of this Paul Simon song from Rhythm Of The Saints, called “I Can’t Run But.”  I did it using my looping pedal, which allows me to record myself in real time and have it repeat so I can layer more sounds, melodies and textures on top of it.

All the while, Rhythm of The Saints was playing on the Ipod in the room right below me, where Anjali was sleeping soundly.  When I finished recording, I turned up the baby monitor and it was on “I Can’t Run But.”  Nice synchronicity…  Here’s the video: